Download III

by Take That

Download Release

Release type: Album
Year: 2014
Tracks: 12
Duration: 45:02
Size, Mb: 317.73
Bitrate: FLAC
Genre: Pop/Rock, Electronic

Similar albums

Year: 1992
Tracks: 8
Bitrate: MP3 192

Could it Be Magic (maxi)

Year: 2014
Tracks: 15
Bitrate: MP3 320

III (Limited Deluxe Edition)

Year: 1993
Tracks: 9
Bitrate: MP3 224

Mastermix Issue 078 January

Sorry, but preview of FLAC releases is not supported.

Track title	Duration	Bitrate	Size(MB)
01. These Days	3:51	-	31.1	Download
02. Let In The Sun	3:39	-	25.03	Download
03. If You Want It	4:02	-	29.87	Download
04. Lovelife	3:35	-	26.96	Download
05. Portrait	3:34	-	22.66	Download
06. Higher Than Higher	4:06	-	27	Download
07. I Like It	4:22	-	31.59	Download
08. Give You My Love	2:49	-	18.34	Download
09. Freeze	4:01	-	27.92	Download
10. Into The Wild	3:52	-	29.13	Download
11. Flaws	3:33	-	21.92	Download
12. Get Ready For It	3:38	-	26.21	Download

To play the media you will need to either update your browser to a recent version or update your Flash plugin.

Review

Robbie Williams once again left Take That in 2014 and, not long afterward, so did Jason Orange, leaving the group as the trio of Gary Barlow, Mark Owen, and Howard Donald. Hence the title of 2014's album, III: this is not the group's third record, nor does it herald a new phase (à la Van Halen III), but it's simply an album made by the three men of Take That. III wasn't intended as a trio album -- Orange left during the recording, leaving the three survivors to split his parts -- and, honestly, it doesn't feel that much different than the Take That albums released prior to Progress, when the former boy band returned as a quartet of men. Wisely, Take That retain a shade of the stylish sensibilities of Progress -- "These Days," the opening track and lead single, is nimble with its chicken-scratch guitar and distilled disco -- but those aren't the focus of the record; they're accents to what's essentially a very well-done adult pop album. Compared to some of Barlow's past solo projects, III is livelier -- even when it slides into a series of ballads it manages to not quite be staid -- due to these lite disco cuts ("Give You My Love" feels like a de facto Bee Gees tribute) and savvy electronic arrangements. The key to III's success is that Take That don't push these electronic elements too hard; they're there not to bring in a younger audience, but to show that the group knows it's 2014, not 1994, so it winds up feeling reflective and tasteful, a record that feels more realized than any latter-day Robbie-less Take That album.

Latest search